RU 
DE 
FR 
ES 
PL 
PT 
NL 
JA 
CN 
KO 
Product added to Cart
Total:
$0.00
Let's be clear: Sucker Punch could have printed money by delivering Ghost of Tsushima 1.5, and most of us would have happily paid up. After the recent deep dive State of Play, we know they're not taking the easy road. The studio dropped a bombshell of new footage for Ghost of Yotei, locking in an October 2, 2025, release date for PS5 and revealing a game that seems to have a fascinatingly split personality. It's a sequel that reveres the gorgeous, sword-clashing heart of its predecessor while simultaneously trying to stage a full-blown revolution in how we explore its world. The big question is, can it pull it off?
At its core, the moment-to-moment action in Ghost of Yotei looks like a welcome homecoming. The combat is still a breathtaking dance of death, but new protagonist Atsu has a different toolkit. The old stance system is out, replaced by a diverse weapon wheel that seems to serve a similar purpose. We watched as Atsu effortlessly switched to swift dual swords to overwhelm a spearman, then swapped to a massive, guard-breaking odachi for a slower, armored brute. The thwip-and-crack of the new kusarigama chain weapon, used for both crowd control and long-range stealth kills, looks undeniably slick.
And yet, it feels more like a remixed system than a reimagined one. The rock-paper-scissors strategy remains, just with new animations. It’s an evolution, certainly, but perhaps not the great leap some were expecting. Sucker Punch is sticking to what it does best: crafting some of the most satisfying and cinematic samurai combat in gaming. For many, that’s more than enough.
If the combat is a reverent nod to the past, the exploration is a defiant middle finger to it. Sucker Punch is outright abandoning the "follow the icon" design that, for all its beauty, defined Tsushima. The Guiding Wind is being replaced by a far more organic and intriguing "Clue System." The gameplay loop shown was radically different: you'll defeat and interrogate enemies, unlocking dialogue options presented as clue cards. One card might reveal the location of a bounty, another might hint at a hidden altar, and a third could kick off a major side-quest that sends you to an entirely new climate on the island of Ezo.
The goal is clear: to make discovery feel earned. The developers want you to pull out your spyglass, spot a strange ruin in the distance, and make the journey there not because a marker told you to, but because you wanted to. It’s a philosophy that takes cues from games like Breath of the Wild, where player agency is king. If Sucker Punch can nail this system, it could solve one of the biggest criticisms of the original game and set a new standard for emergent storytelling in the genre.
Cementing its status as a love letter to samurai media, Ghost of Yotei is expanding its presentation options in some brilliant ways. The iconic Kurosawa Mode returns, but it’s bringing friends. "Miike Mode," a tribute to the notoriously bloody director Takashi Miike, shoves the camera in uncomfortably close, cranks up the gore, and cakes the screen in grime for a truly visceral experience. On the complete opposite end of the spectrum is "Watanabe Mode." Inspired by Samurai Champloo visionary Shinichirō Watanabe, this filter layers a custom-made, chill lo-fi hip-hop soundtrack over the game, completely transforming the mood of exploration and fighting. It’s a bold, stylish choice that proves Sucker Punch understands that the samurai fantasy is more than just one thing.
After this showcase, Ghost of Yotei feels like two games in one. It’s the safe, stunningly beautiful sequel fans wanted, but it’s also a risky, ambitious open-world experiment. The fate of the game rests on how well those two halves merge. We’ll find out if Sucker Punch has forged a masterpiece or a beautiful mess when we get our hands on it this October.
Comments